Showing posts with label british royal wedding. Show all posts
Showing posts with label british royal wedding. Show all posts

Monday, 9 June 2008

Zara And Mike To Marry?



Speculation is rife that Zara Phillips, daughter of H.R.H Anne, The Princess Royal and Captain Mark Phillips will marry her rugby playing boyfriend, Mike Tindall. According to the Daily Mail Zara has been advised by her father to temporarily hold off from announcing their engagement so she can concentrate on her equestrian responsibilities.

Only last month Zara's brother, Peter, married his wife Autumn Phillips at St Georges Chapel, Windsor and it's said that Zara is keen to use the chapel for her wedding. She also wants a small wedding like her brother had although she will not be selling photographic rights to Hello! magazine.

A formal announcement has yet to be made but according to the Daily Mail a wedding date could be as early as next May.

Thursday, 22 May 2008

HM The Queen Bans Royals From Selling Out

It has been reported today that HM The Queen has banned some members of her family from selling exclusive rights to magazines such as Hello! for occasions such as weddings and christenings.

As the furore over the £500,000 sale of Peter and Autumn Phillips wedding to Hello! continues HM has insisted that no more members of her immediate family copy the actions of the newlyweds.

HM is said to be fuming that she is pictured in the magazine despite strict instructions that no immediate family members were shown. The Queens daughter-in-law Sophie, Countess of Wessex is featured dancing and HM herself is present in several shots. Also cross are Princes's Harry and William who realised that over the 1oo pages the wedding was featured on their girlfriends, Chelsy Davy and Kate Middleton appeared on twenty of them, despite the girls entering the church privately as not to take the spotlight off the newlyweds.

Peter, who is popular with William and Harry is claimed to have personally assured the Princes that neither girl would be featured.

However, it seems that minor royals such as Lady Helen Windsor and Viscount Linley would still be able to sell to the magazine as in past editions anything concerning them features solely on them and not on any other member of the family.

Sunday, 18 May 2008

Princess Beatrice. Help needed urgently!



With a hat made from silk butterflies, a ill fitting outfit and too tight jacket Princess Beatrice looked like a clown at the circus when she attended the wedding of her cousin Peter Phillips to his fiance Autumn Kelly.

The hideous outfit just goes to show that fashion is not one of Beatrice's skills. Rather worrying as she has just started her work experience in a London store as a personal style advisor.

I'm not saying Beatrice can't look good but she needs some advice. I assume the person she goes to about clothes is her mother and she is hardly the right person to give out fashion tips.

Beatrice really needs her own stylist who can give good solid advice on what Beatrice should and should not wear. She has a nice figure. Lets have some nice clothes to compliment that.

Why We All Love A Lovely Royal Wedding..... Dress!














Whether the Royal is down the line of succession, or in the case of Peter Phillips out of it, or higher up the Royal ladder such as Prince Charles everyone has a interest in what dress the Royal bride is going to wear.

From the time Royal weddings were photographed women all over the world would pour over the photographs and commented on the dress. But it's only been since the 198Os's when Royal weddings got really big the spotlight has anxiously been waiting to hover on the creation, the dress which is meant to be perfect not only for the bride, but also for the venue and the occasion.
The first big wedding, when publicity became almost feverish was the wedding of Prince Charles to Lady Diana Spencer in St Paul's Cathedral on Wednesday 29th July 1981. For months Diana had been trailed around London by photographers eager to catch a glimpse of the shy girlfriend of the Prince of Wales. But once the engagement was announced it go no easier and by the time the wedding day arrived people were eagerly taking bets on what the dress was going to be like.

Lady Diana commissioned husband and wife team, David and Elizabeth Emanuel to create her wedding dress. The two young designers, famous for designing for people such as Jerry Hall. Diana had fallen in love with a blouse that she had been photographed in for Vogue in 1980 and wasted no time in booking the Emanuel's for her big day. It was no easy task. St Paul's was a grand venue, and the wedding of the future King of England was going to be a grand event.

The dress was designed around a sample shape that was used in a dress in the Emanuel's 1980 bridal collection but it was modified hugely for Diana. The dress had puffball sleeves and was edged in the same material as the dress, then a further 'cuff' of lace was added making the sleeves 3/4 in length.. The neck line was a 'v' neck and was surrounded by antique lace that was dyed a cream colour to match the rest of the dress. The bodice was boned and had a lace panel that was embroidered with a basket of flowers motif. The skirt was full and edged with lace. A huge underskirt was worn to give the skirt shape and fullness. The train, as the dress, was made from English silk. The colour was cream. The Emanuel's designed the original train to be around seventeen foot, but Diana, as a eager youth wanted it to be longer so eventually it ended up being twenty five foot long. It was edged in the same lace as edged the neckline and sleeves. Down the sides of the train ran two very thin and almost invisible panels of lace. The veil was spotted with sequins and was also twenty five foot in length and ended with the train, the Spencer Family tiara held it in place.

Lady Diana's dress is famous for being creased badly when she arrived at St Paul's. However, these creases soon vanished and were not at all visible when she reached the altar.

The Princesses dress had it's fans and detractors, almost in equal measure. And now in 2008 actually has very few fans as it's considered rather too large and too over the top. I, for one, am a fan and it does say a lot for the dress as the shape and style influenced wedding dresses well into the mid 1990's. Now that really is something! Recently the dress was voted 9th in a poll of the top 20 most influential wedding dresses of recent times.

The next big Royal wedding was that of Prince Andrew and Sarah Ferguson. The venue was the more traditional - and for a Royal Wedding - slightly more intimate Westminster Abbey. Andrew and Sarah also married on a Wednesday, but this was the 23rd July 1986.

During her engagement Sarah worked out and lost several stones to fit into her wedding gown. Her fluctuating weight was a topic of cruel discussion during the engagement but on the day of her wedding she was a slim UK size 10. Sarah's dress designer was Lindka Cireach who Sarah had met the previous year when the designer was making the wedding gown for Sarah's then flat mate Carolyn Cotterall.

Appropriately enough the dress was made from Italian Duchess satin (Sarah was to become a Duchess after her marriage). Ivory was the chosen colour which suited Sarah's pale skin and flame red hair. The choice of Italian satin was not controversial as the rule that Royal woman only wore English fabric had been eased off by 1986. Lindka said the fabric was chosen specially to hold all the beading that was required.

The sleeves were slightly puffed at the shoulders and where 3/4 in length coming down the arm to a point. On the shoulders sat a bow which led down to a rounded neckline which was simple. The bodice, like Diana's was boned and heavily embroidered with two 'S's - the brides initials. The skirt was A-line and fell to the floor. The underskirt was full and like the veil was edged in a motif of bows - Sarah's own 'trademark' In itself the skirt had a short train. At the back of the bodice sat a huge fan shaped bow and from under that a 17 1/2 foot train fell. On the train was a tableaux of embroidery and sequins. A huge 'A' and 'S' dominated the train. At the side of the train were bee's, thistles (from Sarah's coat of arms) and other flowers. The beads and sequins gave a crunchy almost 3-D look and certainly were of interest to those in the Abbey who could see it! The train was rounded at the end. Her veil, the same length of the train was made from silk and dotted with sequins. It was edged in a bow motif.

When Sarah arrived at the Abbey Sarah wore a coronet of cream and yellow flowers in her hair. After the service, when emerging from the vestry she wore a tiara that had been brought for Sarah by her family. Sarah's dress was already being compared to Diana's even before the wedding day. However, it won universal praise though in recent surveys it seems to have been long forgotten. It was, however, popular with both spectators and the media.

The next of the Queen's children to marry was Prince Edward. His marriage to Sophie Rhys-Jones in 1999 was a simpler affair. The ceremony was still televised though this time it was held in the chapel of St George in Windsor.

Sophie's dress was designed by Samantha Shaw, a friend of Sophie's who married only two weeks before the Royal couple and who interrupted her honeymoon to be at Sophie's wedding. The dress was made from silk and was, like Diana's a cream colour.

Sophie was a older bride then Diana and Sarah and her dress was very simple and came in two parts. There was a dress, which sadly we didn't get to see and a 'over coat' which the public did see. The coat was very simple and fell to the ground. The sleeves were long and edged with pearls, the neck was a 'v' style which was also edged in pearls. The dress and coat had a small train and Sophie wore a long silk veil that was as long as the train and which was held in place by a tiara from the Royal collection.

Although simple and pretty Sophie had lost weight in the run up to the wedding and coat was too big at the shoulders and slipped down. The dress also was very thin and when the wind caught it clung to Sophie's legs and in some pictures it did look as though she was wearing trousers. However, with this aside, the dress was popular though it failed to influence brides at the time unlike Diana's did.

During the 1990's we had several smaller wedding's that were easily as pretty. In June 1992 Lady Helen Windsor, the daughter of the Duke and Duchess of Kent married Tim Taylor at St George's in Windsor.

Lady Helen commissioned Diana's favourite designer, Catherine Walker to make her dress. It was a very simple gown but beautiful none the less. It was made from very heavy satin. The colour was oyster. The dress had small cap sleeves which were decorated with beads and sequins. The neckline was a 'V' neck again decorated with beads and sequins. The skirt was full and train was substantial. The veil was made from a very soft silk. Lady Helen wore her hair up in a chignon and held in place with a tiara from the Royal collection.

In 1993 in Westminster Cathedral Viscount Linley, son of Princess Margaret married Serena Stanhope. Sadly I do not know the designer but the dress was made from silk tulle and a heavy satin. The dress was largely inspired by Princess Margaret's. The top part of the dress was plain without decoration. It was made from heavy white silk and had padded shoulders and long sleeves with a row of buttons on the sleeve. The collar stood up at the back and came down to a point. The waist was tightly hemmed in and the silk continued down half way to the skit. Then the material - for want of a better word - split, and we could see the skirt which was made from tulle. The skirt was very full. The train was quite short. The veil was made from soft tulle and held in place by a tiara also borrowed from the Royal Collection. Serena wore her hair piled up high on top of her head.

Diana's chief bridesmaid, and David's sister, Lady Sarah Armstrong-Jones married Daniel Chatto in London in 1994. Her dress was very plain. It was made from chiffon. The sleeves were slightly sheer. The neckline was square which led down to a heavily corseted bodice. The skirt was straight, made from chiffon and was slightly flared. The colour appears to be ivory. There was no decoration at all on it.No pearls, lace or bows. Very modern for the 1990's bride. Sarah wore a veil of fine silk mesh which was scattered with sequins. It fell to the floor but there was no train so therefore the veil ended at the hem of the dress. Sarah wore her hair up and the veil was held in place by a tiara loaned to her by her mother, Princess Margaret.

In 1988, Princess Alexandra's son, James Ogilvy married Julia Rawlinson in a small church in Essex, England. This dress is worth mentioning because it was most unusual. For a 1980's wedding it was plain. It had NO decoration. Not a single piece of lace, sequin, or decorated button went near it! It was made from white, raw silk. The sleeves were slightly padded and were wrist length. The neckline was 'V' neck the skirt was full. The veil was made from silk and was held in place by a floral coronet. That was it! Like I said, simple and elegant. Particularly since the late 1980's were the years for lace, froth, and all things frou-frou!

I end this post with the most unusual Royal Wedding dress. In 1990, Princess Alexandra and Angus Ogilvy's only daughter, Marina married a artist, Paul Mowatt. She was already pregnant. Scandalous in Royal terms. The wedding can kindly be described as 'hastily arranged' cruelly it could be described as 'shot gun'.

Not to be conventional, Marina wore a Lycra calf-length black dress topped with a bright vivid orange bolero, which was edged with gold tassels. In her hair she were a floppy, felt wide brimmed hat!

So no matter how regal the wedding is Royal brides make surprising and quite often wonderful choices for their wedding attire. We can never be sure what they will wear. All I can say is roll on the next Royal wedding, whether it be Kate and William, Chelsy and Harry, Zara and Mike or Beatrice and Dave........

......just remember the world and it's press will be watching ever so closely!

Introducing Mr and Mrs Phillips


On the 17th May 2008 the Phillips branch of the House of Windsor welcomed a new member in the shape of Autumn, Peter Phillips new wife.

Autumn Kelly, a pretty, blond Canadian officially became Mrs Phillips during a ceremony which began at 4pm in the very Gothic but grand St George's Chapel which is situated in the grounds of Windsor Castle. The chapel has previously hosted Royal weddings such as Prince Edwards and Sophie's and Lady Helen Windsor to her husband Tim Taylor.

As usual for May the weather was dull, having rained all morning. It was cold too, and I could only feel sorry for the bridesmaids as they arrived at the chapel. Not only did they have the unenviable task of trying to avoid getting their gowns, made from chiffon, getting grubby on the wet steps,but they must also have been shivering while they did it! The dresses were green in colour the shade being named 'Kelly Green' for the occasion. Zara Phillips, sister to the groom Peter, was chief bridesmaid, but the bride was also attended by a group of friends and step-sisters as well as Peter's god-daughter, Rosie.

By Royal standards the wedding was small attended by only three hundred guests. Some had flown in from Canada to attend the service. Others came from closer to home. Prince Charles attended with his wife Camilla. Prince Andrew arrived with his daughters Princesses Beatrice and Eugenie, though his ex-wife, Sarah Ferguson was conspicuous by her absence. Prince Harry attended as did his girlfriend, Chelsy Davy. According to some reports the Prince's long term girlfriend was introduced to HM The Queen for the first time yesterday. Prince William was absent. He was attending the wedding of one of his friends in South Africa. However, Kate Middleton attended on his behalf leading to questions that as this was a semi-formal role, would she be the next Royal bride to grace the front pages of international newspapers?

Both Kate Middleton and Chelsy appeared at times somewhat nervous attending such a 'royal' event but both women didn't disappoint on the fashion side. Both dressed nicely but understated being careful it may seem as not to take the shine off Autumn on the most important day of her life.

Autumn's dress was made from ivory duchess satin and had a cathedral style train. Her underskirt was made from tulle netting edged with silk. The dress cost an estimated £7,500 and took six months to create. It had a full skirt, a boned sleeveless bodice and the bride wore a laces shrug. Her veil was edged in lace and looked almost Spanish in style.

Earlier this month Autumn and Peter made headlines when it was revealed they had sold their story to Hello! the famous coffee table society magazine for £500,000. Part of that deal was they also got to feature in the second edition the couples wedding. Today it was revealed that the Kelly family could not afford to host such a lavish wedding and Princess Anne was unwilling to foot the bill. The wedding cost in total it has been rumoured £50,000. Traditionally Royals have tended to veer away from the magazine as some society circles call it tacky but both Peter and his new wife seem happy in some areas, to wave goodbye to tradition and do things their own, very modern way.

The bride arrived one of the Royal cars but the newly wed couple left in a carriage and rode to the reception which was held at Frogmore House in the grounds of Windsor Castle. One can only imagine what conversation they had as they rode away from the chapel, but judging by the photographs I can only assume it was a happy one, tinged with relief that the hardest part of the day was well and truly over.

The couple's honeymoon destination has not been made public but I can only assume they will be happy not only to get away from the bad weather and the press but to finally relax after organising such a fancy wedding.

I wish them both well in their new life together.